Re: The Future of the SubCommittee Report?
I said nothing about ignoring anyone, Myles. You seem to have a way of reading things in between the lines. I gave my opinion, that was that. If there is no longer a printed SCR, there will no longer be a me as member, simple. One less member can't hurt that much.
And as far as reducing the number of printed pieces because more want electronic versions, as Jeff LaRue said, the price per piece goes up. It will get cost prohibitive at I'd say less than around 350 members wanting a printed version. And the club won't be able to charge what it is for membership dues if all that they get is a website and a PDF. And then there's the added task of managing print and digital, and who gets what, and who paid for what. So I think very soon into the process it will need to be decided to go all digital.
Time estimates are what kind of time I spent on things because that's what it took for me personally to be thorough and professional, because that's the kind of business I am in, and I took it seriously. That magazine, and its look, was my reputation as an Art Director going out there. If it takes someone less, good for them. Also as far as the timeline goes, it accounts for the proofers and the production artists real life schedules, giving them a week to do an hour or two of proof reading, and allowing for the production artist to work on the weekends because he has a full time job the rest of the week. This is something that has to be allowed for with volunteers, and even though the production artist gets paid, it's not enough to receive these days for the job other than doing me a favor. For the kind of money the club is paying, this is a "when I can get to it" kinda job for any other professional layout artist.
Some food for thought.
I said nothing about ignoring anyone, Myles. You seem to have a way of reading things in between the lines. I gave my opinion, that was that. If there is no longer a printed SCR, there will no longer be a me as member, simple. One less member can't hurt that much.
And as far as reducing the number of printed pieces because more want electronic versions, as Jeff LaRue said, the price per piece goes up. It will get cost prohibitive at I'd say less than around 350 members wanting a printed version. And the club won't be able to charge what it is for membership dues if all that they get is a website and a PDF. And then there's the added task of managing print and digital, and who gets what, and who paid for what. So I think very soon into the process it will need to be decided to go all digital.
Time estimates are what kind of time I spent on things because that's what it took for me personally to be thorough and professional, because that's the kind of business I am in, and I took it seriously. That magazine, and its look, was my reputation as an Art Director going out there. If it takes someone less, good for them. Also as far as the timeline goes, it accounts for the proofers and the production artists real life schedules, giving them a week to do an hour or two of proof reading, and allowing for the production artist to work on the weekends because he has a full time job the rest of the week. This is something that has to be allowed for with volunteers, and even though the production artist gets paid, it's not enough to receive these days for the job other than doing me a favor. For the kind of money the club is paying, this is a "when I can get to it" kinda job for any other professional layout artist.
Some food for thought.
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